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[MCLC Resource Center review by Sebastian Veg] [Abstract: Set in the long-lost City of Victoria (a fictional world similar to Hong Kong), is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. [Abstract: Dong Xi’s first major novella, published first in Harvest in 1996, winner of the Lu Xun National Excellent Novella Award, and adapted into a CCTV-8 television series in 2009 (as Sky Lovers) takes the form of a modern parable, telling the story of Wang Jiakuan, who is deaf; Wang Laobing, who is blinded in an accident; and Cai Yuzhen, who cannot speak. Gao weaves into this tale seminal themes of Chinese history and culture: the connection between the warlike Xiongnu and their cousins the Huns. The memory of this all-but-forgotten childhood experience comes back after news of his friend’s suicide. [Abstract: A patient escapes from an asylum, to spend his life as the perfect mannequin in a department store display; when living alone is outlawed, a woman who resides quietly with her cat is assigned by bureaucrats to a role in an artificially created “family;” a luckless man transforms himself into a chair so people can, literally, sit on him. “It’s a book,” Fang states, “written by a ghost writer. Just a traveler floating within the wave of globalization.” Culminating with the park’s opening ceremony, Fang creates a space where history seems to have been completely consumed and absorbed by contemporary social movements.

Twenty years ago, Gao Jianqun’s bestselling novel , Gao relates an epic saga of murder and compassion in the grassland kingdom of the ancient Chinese frontier, while telling a parallel story of knowledge blooming in the center of Chinese life. While the adults were away at a protest against the Martial Law, they stole into the banned zone, released the beast from bondage and led it upstream, on a quest to find the fabled zoo. For is less the vision of one author (Fang) and more the result of reality writing itself through this author; that is, a script, or documentary, of life.

“Much of Our Contemporary Poetry Seems Unimaginative in Its Thought Structure, Shallow in Feelings, Tedious, and Lacking in Intensity of Language.” In Hualing Nieh, ed./tr. Tongwancheng (unite all nations) or Tongwan City would be built with thick outer walls made with white clay and powdered rice, giving the city the appearance of a giant ship. In incisive and cogently argued essays, he exposes the political dynamics of so-called “modernity” in Western literature and art, and how this has been enthusiastically embraced in China since the 1980s. Fiction and reality blend into one as the story unfolds. He has contempt for his clients and contempt for himself. “On the Nature of Feminine Purity in A Dream of Red Mansions and Goethe’s Faust.” Marian Galik Interviews Gu Cheng in Berlin, April 24, 1992 (Fushide. Hong Jun discovers a web of family secrets and hidden motives leading back to the turbulence of the Cultural Revolution. Ten years earlier, in 1984, on a state farm in the brutally icy, rural northeast of China, local beauty Li Hongmei was raped and murdered. Unlike her contemporaries, she was concerned less with China’s fate as a nation and more with the relationship among patriarchy, imperialism, capitalism, and gender subjugation as global historical problems.

This city will be the capital of an empire that unites China. University of Sydney academic Mabel Lee is the translator, and the book also includes her authoritative introductory essay that contextualizes Gao’s significant position as an independent and uncompromising voice in the noisy hype of the globalized world of the present in which creative writers and artists are forced to conform with the demands of political and other group agendas, or with market forces, in order to survive. The beauty of the location however cannot compensate for the anxiety and hallucinations he experiences while watching a flock of brown birds pass by his window, and his sense of temporal disorientation is further compounded by the appearance of a strange woman who calls him Ge Fei. Well into his forties, he’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall the wind from the north blows through while he gets by, just, by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. But as the trial date looms, it becomes clear that this case of avarice and ill-gotten gains is far from black and white. [Abstract: When Hong Jun returns to China from studying and working as a lawyer in the US, he opens the doors to his new practice in Beijing intent on helping ordinary people defend their rights, but he soon finds himself embroiled in a case which is anything but ordinary. ) was a theorist who figured centrally in the birth of Chinese feminism.

In 2005, Teng’s children submitted a complaint to the Hunan High People’s Court, which then issued a revised judgment. Presently (1986), Blind Ah-mu (1986), Swatting Flies (1986), The Ghost-eater Is Here (1998), A Story of Nine Fingers (1998), The Last Phoenix (1999), Listen to Me, All You Deities (2002), Variations on a Canary’s Lament (2002), A Platform with No Timetable (2005), Dragon-eye Well (2005)] “I Love Mary.” Tr.

In one such case, Teng Xingshan was convicted in 1988 and later executed for murdering his mistress, but almost six years later it was discovered that the supposed victim, Shi Xiaorong, was still alive. (1965), Follow My Feet (1966), The Face in the Mirror (1966), A Headless Wasp (1967), Uncle Gan Geng at Dusk (1971), Bright Red Shrimps—An Anecdote about Limp Dick Le-zai (1974), Mr.

Diao Dou is wildly regarded as one of China’s leading satirists, praised for his refusal to follow any of the numerous literary trends that often dominate the Chinese literary scene.] “Squatting.” Tr. In Liu Ding, Carol Yinghua Lu, and Ra Page, eds., 69 (2008): 62-75.

Or do the banished cadres really cling to their belief in their leaders and the ideals of the Revolution? As much a millennial time capsule as an entertaining and invaluable way for English readers to understand our rising Eastern partner and rival, This Generation introduces a dazzling talent to American shores.] “Kids, You’re Spoiling the Old Men’s Fun” [孩子们,你们扫了爷爷的兴]. The book aims to reconstruct Chinese social ethics in an innovative philosophical framework, reflecting China’s search for new virtues.] “The First House of Beijing Duck.” In Shiao-Ling Yu, ed., . [Abstract: China’s party-run courts have one of the highest conviction rates in the world, with forced confessions remaining a central feature. All together, these remarkable works portray the tensions and aspirations of modern Taiwan. Told through relatable characters, Ng Kim Chew’s tales show why he has become a leading Malaysian writer of Chinese fiction, representing in mood, voice, and rhythm the dislocation of a people and country in transition.] “A Marriage Has Been Arranged.” In Nieh Hua-ling, ed.

[this novel, based on the Ming play, was first published in Taiwan in 1948] “Truant Days.” Tr. In Henry YH Zhao, Yanbing Chen, and John Rosenwald. Is this simple pragmatism, an attempt to protect the boy and ensure his future? by Nicky Harman, with contributions from Maghiel van Crevel, Michael Day, Tao Naikan, Tony Prince, and Yu Yan Chen. Writing on topics as diverse as racing, relationships, the Beijing Olympics, and how to be a patriot, he offers a brief, funny, and illuminating trip through a complex nation that most Westerners view as marching in lockstep. Capturing the candor that only occurs during road trips with strangers,1988 offers the reckless a hope of healing from the scars of life.] “Upstairs, Downstairs.” Tr. Incorporating ethical theories with his expertise in culture, history, religion, literature, and politics of the country, He reviews the remarkable transformation of ethics and morality in the People’s Republic of China and engages in a global discourse about the major ethical issues of our time. In “How to Measure the Width of a Ditch,” an unreliable narrator spins an absurdist, metafictional tale of his childhood in Taipei, and in “The Intelligent Man,” Huang Fan weaves an allegorical satire about political reunification set against a backdrop of Taiwanese migration to the United States, with a trenchant look at expanding business interests in mainland China and Southeast Asia. In prose that is intimate and atmospheric, these stories, selected from several Ng Kim Chew collections, depict the struggles of individuals torn between their ancestral and adoptive homes, communities pressured by violence, and minority Malaysian Chinese in dynamic tension with an Islamic Malay majority. “At Midnight,” “I See Your Shoes in the Bathroom,” “Father,” “This is the Last Day,” “The Story of Santa,” “and I Thought We Wouldn’t Meet Again.” Tr.

Covering all aspects of modern Chinese life – from the high-minded morals of an emerging middle class, to the vividly remembered hardships of an all-too-recent collectivist past – these stories offer a very particular window into the contemporary Chinese psyche, and show a culture struggling to keep pace with the extraordinary transformations that have befallen it in the space of a single lifetime. For Hong Ying’s cult followers, her poetry is as important as her novels.] .

Diao Dou’s short stories perform a kind of high-wire literary acrobatics; each one executes an immaculate mid-air transition, from closely observed social realism to surrealist parody, and back again. Female sexuality and experiences are addressed with spontaneity and naturalness, authenticating the fact that such experiences are natural human behaviour.

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This haunting and beautiful novel tells the story of one little girl’s struggle to build a life for herself against all odds. [MCLC Resource Center review by Mingwei Song] [Abstract: It is 1969 and China is in the throes of the Cultural Revolution. [Abstract: For those who follow Chinese affairs, Han Han is as controversial as they come—an irreverent singer, sports celebrity, and satirist whose brilliant blogs and books have made him a huge celebrity with more than half a billion readers. In this collection of essays, he tackles everything from Internet culture in a country that censors the Internet to his own escapades driving around with fake police IDs and a megaphone, and from whether China is ready for democracy to going back for one incredibly awkward middle school reunion. There he meets Shanshan, a pregnant prostitute with an open heart and a traumatic past. [Abstract: Over the past half-century, China has experienced some incredible human dramas, ranging from Red Guard fanaticism and the loss of education for an entire generation during the Cultural Revolution, to the Tiananmen tragedy, the economic miracle, and its accompanying fad of money worship and the rampancy of official corruption. The first collection of Huang Fan’s work to appear in English, this anthology includes features Xi De, a young man raised in an elite community who risks everything to challenge his society’s charismatic leader and technocratic rule. They are also full of humor and spirit, demonstrating a deep appreciation for human ingenuity in the face of poverty, oppression, and exile. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China’s premodern, rural past, even as unfolding events caution against the trap of nostalgia.