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Like symbols on a map, these posts offer our readers touchstones with which to construct their own tours both through and around the art center’s program.In addition to these texts, editorial cartoons punctuate this section so as to stoke the mind through other means.
To loosen these restrictions, Wd W Review intends to establish itself as a premier forum of intelligent and multi-disciplinary discussion on the humanities, and their role at-large, so as to find not a new, but a greater politics. ——Chief Editors Defne Ayas, Adam Kleinman —Managing Editor Orit Gat (for any queries contact: oritgat[at]gmail) —Desk Editors Natalia Antonova (Moscow) James Bridle (Athens) Ben Eastham (London) Natasha Marie Llorens (Marseille) Gabriela Jauregui (Mexico City) Ruchir Joshi (Delhi/Calcutta) Ana Texeira Pinto (Berlin) —Emeritus Yasmine el Rashidi (Cairo) Adam Bobbette (Nusantara) Binnaz Saktanber (Istanbul) Yanis Varoufakis, with (Athens) Tirdad Zolghadr (Jerusalem) —Image Editor Pedro Neves Marques —Copy Editor Marnie Slater —Design Remco van Bladel —Design Assistant Andrea Spikker —Programming De Heren van Design Ritchy Höhne, Michael Höhne —Publisher Witte de With Center for Contemporary Art Rotterdam, the Netherlands —Support Stimuleringsfonds Creatieve Industrie —Current cover image Bas Princen ‘ Here, Wd W Review charges invited participants with a given motion or proposal to be deliberated, over time, in public.I am going to make a helper for him, as a complement of him." Genesis JWMatch is a way for Jehovah's Witnesses and interested ones to build loving and trusting friendships that can lead to lasting relationships in the real world.The beauty of meeting and relating on JWMatch is that you can do this in a safe, anonymous and fun environment.Building off such a conflicted prescription, this section tasks various writers to dig deep into the means and ways that mediated visions turn scenes into situations that promote a shared consciousness.To provoke this discourse between the use, effect, and sideeffects of images and narratives, artists, writers, and scholars here ‘peep’ at a single image so as to find hidden fames in the ubiquitous signs and symbols which surround and constitute our daily lives.
How do these factors pressure the humanities, and, more so, how do the humanities in turn respond to, and co-form, these contexts?